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Student-Centered Musical Expertise

A New Approach to Instrumental Popular Music Pedagogy

This book examines how student-centered learning can be integrated with advanced musical instruction in popular music education. 

Challenging the view that learner-centered approaches and expert-led teaching are inherently opposed, Student Centred Musical Expertise presents a pedagogical framework designed to support both student autonomy and high levels of musical development. Drawing on research in music education, learning theory, and psychodynamic psychology, the book explores why personally meaningful music can play a significant role in learning and musical engagement. It considers how a student-selected repertoire can be used as a foundation for developing technical skills, stylistic understanding, improvisation, musical analysis, and performance practice.

Central to the book is the Student Centred Musical Expertise (SCME) framework, a model developed through classroom-based research and extensive teaching experience. The practical chapters examine video-documented one-to-one electric guitar lessons and demonstrate how student-centered principles can be applied to a range of musical topics, including groove, improvisation, transcription, technical development, and instrumental proficiency. Particular attention is given to the educator’s role in guiding learning while responding to students’ individual interests, goals, and musical identities.

The book contributes to contemporary debates in music education concerning expertise, learner agency, motivation, and personalized learning. While grounded in popular music pedagogy, its discussion of student-centered teaching and instrumental instruction has wider relevance for music educators working across different educational settings.

Suitable for advanced undergraduate and postgraduate study, this will interest researchers, music educators, teacher educators, and students in music education, popular music studies, instrumental pedagogy, and arts education. It also provides valuable perspectives for practitioners seeking research-informed approaches to student-centered teaching in contemporary music learning environments.


200 pages | 6.69 x 9.61 | © 2027

Contemporary Music Making and Learning

Music: Ethnomusicology


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Table of Contents

1 Student-Centered Pedagogy, Expertise, and Popular Music Learning Overview of Student-Centered Pedagogy and Expertise Informal Popular Music Learning and Pedagogical Considerations 2 Student-Selected Repertoire and Meaningful Music Learning: a Psychodynamic View A Good Relationship with Music Music as a Container Music as a Transitional Object True Self and False Self in Music Learning A Perspective on Separation and Narcissism in the Student–Teacher Relationship Discussion 3 A Pedagogical Design: Student-Centered Musical Expertise (SCME) Revising the Pedagogue’s Role and the Pedagogical Setting The Basic SCME Concept Summary: The Intrinsic Triumvirate of Learning Music 4 Student-Centered Musical Expertise (SCME) in Practice I: Learning Groove Learning through Fundamental Timing Exercises Applying Intermediate and Advanced Timing Exercises Practicing Implied Moderate Swing Phrasing in Hard Rock Time-Feel and Interplay in the Band Class Applied Studies: Groove in Improvisation 5 Student-Centered Musical Expertise (SCME) in Practice II: Learning Other Musical Focuses Learning Musical Fundamentals through Student-Selected Repertoire Learning Improvisation through Student-Selected Repertoire Learning Technical Skills through Student-Selected Repertoire Student-Centeredness in Expanding Stylistic Versatility 6 Conclusions Summary of the Student-Centered Musical Expertise (SCME) Approach in Practice Conclusions of Learning through Student-Centered Musical Expertise (SCME) Critical Remarks Contributions and Future Prospects Closing Reflections References Bibliography Discography Audiovisual Material Primary Pedagogical Source Material

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