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Ash

Catastrophe, Performance, & the Craft

In this collection of essays, an acclaimed poet and playwright searches for meaning amid catastrophe.

The twenty candid essays in Ash: Catastrophe, Performance, & the Craft are the culmination of a ten-year project by acclaimed poet and playwright Dan O’Brien. Divided into three parts, this volume—portions of which originally appeared in The New York Times, Esquire, and The Times Literary Supplement—combines the deeply personal with the artistic and professional, coalescing around the experience of trauma (physical, mental, moral) and the challenges presented by catastrophe and its aftermath.

In the title essay, O’Brien links the smoke and debris of the Los Angeles wildfires to the toxic legacy of September 11, tracing the lasting repercussions of collective disaster. In “Dear Brother,” he revisits a sibling’s suicide attempt and the family silences that shaped both his life and his writing. Elsewhere, in reflections on documentary theater, political violence, and a long collaboration with Pulitzer Prize–winning war reporter Paul Watson, he weighs the responsibility and the cost of bearing witness to suffering.

Running through the book, and indeed through O’Brien’s career as poet, playwright, essayist, and memoirist, is a search for meaning in the midst of calamity, whether it results from terrorism, from conflagration, from cancer, or from victimhood and abuse. Written over a decade marked by devastating illness, profound cultural upheaval, and hard-won hope, Ash is both an intimate record of survival and a searching meditation on the resilience and reinvention to be found in the creative act.


184 pages | 5.5 x 8.5 | © 2027

Art: Art Criticism

Literature and Literary Criticism: Dramatic Works


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Table of Contents

Introduction

I. Catastrophe
Ash
Dear Brother
The Obsessive-Compulsive Disorder of Writing
Writing While Dying (and Surviving)
Life Shrinks: Lessons from Chemo Quarantine
Without Evidence: Reopening as Remission
Denying the Disgrace of Depression

II. Performance

Toward and Away: Staging an Atrocity
An Early Play Revisited
Too Many Christs
Amadeus and the Artist as a Young Man
Eephus and the Playwright at Midlife
The Value and the Cost of Reporting from War
“No Heroes in War”: A Dialogue with Paul Watson

III. The Craft

Second-Act Problems
A Symbol of Life: Faith in the Theatre
Confession as Transgression
40 Questions About a Political Play
Over and Over

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